Friday, April 22, 2016

Self-Portrait

Advanced Drawing and Painting


Clara Lieu, “Self-Portrait No. 31″, from ”Falling

Sometimes an artist puts everything into
a series of works of art. The artwork carries the essence of the person with it. An artist that does just that is the inspiration for our first project (it will be a difficult one). We are going to jump right in draw a self-portrait that has expression. 


Clara Lieu an artist and Professor at Rhode Island School of Design created a series of expressionistic self-portraits that are executed so perfectly (if there is such a thing as a perfect work of art).  
Take a look. In your sketchbook write your reaction to her self-portraits. Which one do you like the best and why? I also want you to look up some creative self-portraits and put the links of them in the comment area of this post. 

Lieu's self-portraits


Julia, grade 11

Emily, grade 11

Jamie, grade 12


The human face is universal, that is obvious, but drawing it a certain way is not. In this drawing lesson you will have many challenges, from  drawing your facial features in proportion to developing a creative idea and composition.  Ask yourself what you need to work on when it comes to drawing facial features.? Does the idea of drawing yourself make you excited or scared (or a little bit of both)?  No worries, relax and take the steps needed to make your drawing YOURS.  Planning, practicing, and being thoughtful about the process will help you be successful!


Steps to take:

·         *Draw your features separately and as a whole face.  Practice, Practice, Practice. This will count as a sketchbook grade.

·         *View styles of self-portraits, including the ones on this hand-out. See how other artists have approached this idea. Take to the web and search for images of self-portraits. Share your favorite with the class.

·         Design a composition that is interesting and that focuses on the mood you want to get across.  There has be an identifiable mood (at least by you and hopefully the viewer).  3 different approaches of your ideas should be sketched for a grade.

·         Do a gesture or contour drawing the actual size you plan on making your piece.  No smaller than 12 x 18 will be acceptable.

·         Work on drawing by building up values and focusing on each mark you make.  This is a long-term project and you should take your time, enjoy the process.


·         Complete a self-reflection in your sketchbook after  the class critique.  This important step allows your think about what you feel successful at what you need to work on. 


As an outcome of this lesson you will:
·         Generate and conceptualize a unique self-portrait that expresses a mood and/or expression that is personally meaningful.  (NCAS  Anchor Standard 1 and 2/Investigate, Plan, Make)
·         Demonstrate skills and techniques in drawing  (NCAS Anchor Standard 3/Reflect, Refine, Continue)
·         Critique self and peer work  (NCAS Anchor Standard 7/Perceive)
·         Identify the characteristics of self-portraits by Frida Kahlo and Clara Lieu

Project Requirements:
·         Sharing research and ideas with peers. Partaking in group discussions exploring various concepts with classmates.  Sketchbook:  Example of one self-portrait done by an artist that you find intriguing, to share with class.
·         Three thumbnail sketches of alternate concepts for drawing.
·         Completed drawing (see separate rubrics)
·         Completed self-reflection
·         Participating in final project critique.
Vocabulary:  value, contrast, proportion, cropping, space, depth, texture, emphasis, craftsmanship, persistence



Summing it up…

As an outcome of this lesson you will:
·         Generate and conceptualize a unique self-portrait that expresses a mood and/or expression that is personally meaningful.  (NCAS  Anchor Standard 1 and 2/Investigate, Plan, Make)
·         Demonstrate skills and techniques in drawing  (NCAS Anchor Standard 3/Reflect, Refine, Continue)
·         Critique self and peer work  (NCAS Anchor Standard 7/Perceive)
·         Identify the characteristics of self-portraits by Frida Kahlo and Clara Lieu

Project Requirements:
·         Sharing research and ideas with peers. Partaking in group discussions exploring various concepts with classmates.  Sketchbook:  Example of one self-portrait done by an artist that you find intriguing, to share with class.
·         Three thumbnail sketches of alternate concepts for drawing.
·         Completed drawing (see separate rubrics)
·         Completed self-reflection
·         Participating in final project critique. 


Wednesday, April 20, 2016

Anyone need Inspiration?

As we look deeper into everyday objects we see that the elements and principles of design are "organized" in stunning fashion.  Take a look at the article about a Ted Talk discussing the collision of science and art. 




SCIENCE and ART Collide!


Marbelous No. 05 (2013)

An unusual look at the properties of oil, as colorful marbles of oil paint float in a solution of water and methylated spirits.





Vanishing Beauty (2012)

Powders can behave like fluids. Here, corn starch hangs in the air momentarily, retaining its shape, as the balloon surrounding it is popped.

Millefiori No. 01 (2012)

Ferrofluid is a magnetic, hydrophobic liquid that forms colorful curves and channels when deposited onto a magnet and injected with watercolor paints. More starting at 5:20 in Oefner’s talk.


Grain of Scent (2013)

Tiny individual droplets of a liquid mixed with spray paint hang in the air for a fraction of a second, forming a scent sculpture


Titus Kaphar

This weekend I read an article about Titus Kaphar an artist that resides in New Haven.  In the article he is described as an artist that is, "initiating a contemporary dialogue".   I would like you to discover how his artwork does just that.  Your goal is to look into the life and work of Titus Kaphar. Tell us something about his life and his art.  Choose a painting you find captivating and tell us about it.  I would like you to use the elements and principles of design in the description of his work.  In your sketchbook describe the painting you chose, including the size, media, and year it was painted.  Write why you chose this piece and if you know why it was painted by Kaphar.  We will begin the discussion on Wednesday April 27th.  Email me the image you chose so I can have it ready to view on Monday also print out a copy to keep in your sketchbook.



Kaphar ThisPlaceNeverFeltLikeHome Painterly Power Plays: Titus Kaphar