Intro to Drawing and Painting
Thursday, October 22, 2015
Tuesday, October 20, 2015
Sketchbook Assignment-Hand Holding an Object
If you have completed your white on black lesson and your elements of design questions then you should take out your sketchbook and begin drawing your hand holding something. This is more complicated then just drawing our hand (which we have done). You can begin with a contour or gesture drawing, then add values. Take a look at some examples below.
Monday, October 12, 2015
Charcoal Drawing Reflection
Complete the following reflection when you finish your Charcoal Drawing.
Describe the elements and principles of design that are relevant for this charcoal drawing.
What do you think is the most successful part of your drawing?
What areas of your drawing would you like to improve on?
Describe the elements and principles of design that are relevant for this charcoal drawing.
What do you think is the most successful part of your drawing?
What areas of your drawing would you like to improve on?
White Drawing on Black Paper
Drawing and Painting
Now that you have worked with a dark value on a light background, lets try the reverse. We will be focusing on how to show core shadows and cast shadows by leaving the paper free of charcoal. This is an extremely difficult exercise because you will want to start with a contour drawing, BUT DONT!
If you do then you may be placing a light value where a dark one should be. It is tricky! Check out these you-tube videos below. They are amazing!
Describe in detail how you created contrast in your drawing.
What areas of your drawing would you like to improve on?
Now that you have worked with a dark value on a light background, lets try the reverse. We will be focusing on how to show core shadows and cast shadows by leaving the paper free of charcoal. This is an extremely difficult exercise because you will want to start with a contour drawing, BUT DONT!
If you do then you may be placing a light value where a dark one should be. It is tricky! Check out these you-tube videos below. They are amazing!
Essential
Questions
(THE
BIG ONE)
How
do artists learn to draw realistically?
For
this lesson:
·
How do artists represent
different values in their subject/object?
·
How do artists represent the 5
elements of shading ( highlight, half-tone, core shadow, reflected light, cast
shadow) on black paper?
Steps
to take:
·
OBSERVE the object over and over and
over again….the shape, size, texture.
·
ASK
YOURSELF: Where do you see the lightest light? Where is the darkest dark?
·
SKETCH the object lightly.
·
SHADE the lightest areas first,
leaving the dark areas where the paper shows.
·
Use
your eraser to help you create the form.
Charcoal Drawing Reflection/White on Black
one object
Complete
the following reflection when you finish your Charcoal Drawing.
Describe in detail how you created contrast in your drawing.
What areas of your drawing would you like to improve on?
Tuesday, October 6, 2015
STILL LIFE IN CHARCOAL
EQ: How do artists learn to draw realistically? How does contrast help
to create realism in drawing? How do value changes create the illusion of form? How does cropping
make a drawing more interesting?
The objectives for this lesson are to create a charcoal drawing
of the still life of objects that have ellipses in their form.
To do this you must:
·
Draw
a thumbnail sketch of your composition in your sketchbook. Ask yourself, what can I emphasize? How can I make an
interesting composition?
·
Use
a willow charcoal (lightest one) to draw your sketch. You are blocking everything is, so draw lightly
in order to erase any mistakes.
·
LOOK
for the lightest light and the darkest dark.
Start building values beginning with the medium value.
·
Identify
where the most contrast is in the piece.
Have you shown that in your drawing.
·
Get
darker more compressed charcoals to create deeper values.
·
Take
your time and observe. All the information in front of you.
Monday, September 21, 2015
Adding Values...moving beyond line
Intro to Drawing and Painting
Now that you are becoming more observant and have completed gesture drawings and contour drawings we will start creating three-dimensional images by adding values and thinking about perspective. A good place to start is by drawing cylinder-like objects, We will be focusing this week on creating representational drawings of cups and flower pots, paying close attention to where the light hits the objects and how highlights, core shadows, reflected light, and cast shadows create depth on a two-dimensional surface.
Previous student work:
Now that you are becoming more observant and have completed gesture drawings and contour drawings we will start creating three-dimensional images by adding values and thinking about perspective. A good place to start is by drawing cylinder-like objects, We will be focusing this week on creating representational drawings of cups and flower pots, paying close attention to where the light hits the objects and how highlights, core shadows, reflected light, and cast shadows create depth on a two-dimensional surface.
Previous student work:
View the link below to a wonderful tutorial on drawing ellipses:
5 Elements of Shading
Intro to Drawing and Painting
Complete a pencil drawing in your sketchbook of a sphere or egg that clearly shows the 5 elements of shading. Make sure your object is lit from one side (preferably) from above. This exercise will help you understand how to draw objects realistically, it is a stepping stone to a LARGER more ELABORATE drawing. Take a look at the "shading document" to better understand these elements. This assignment is due on Due October 2.
Complete a pencil drawing in your sketchbook of a sphere or egg that clearly shows the 5 elements of shading. Make sure your object is lit from one side (preferably) from above. This exercise will help you understand how to draw objects realistically, it is a stepping stone to a LARGER more ELABORATE drawing. Take a look at the "shading document" to better understand these elements. This assignment is due on Due October 2.
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