Monday, April 20, 2015

Robert Rauschenberg

Advanced Drawing and Painting


Rauschenberg, a relevant Pop-Artist and Abstract Expressionist, gave us some very unique works of art.  You will be creating an Activist Art piece this semester, it would be beneficial to take a closer look at his work. In your sketchbook write about your reaction to one of the pieces below.  What do you think Rauschenberg is trying to say?  Does his work appeal to your aesthetic?  Look carefully at the materials he uses to create his art.  Describe them.  Discover more about the work of art.  When was it created?  Did the artist reveal what the work was about? Please do some additional research to learn as much as you can about the work of art.  We will discuss your findings in class on Friday April 10th. 

Bed
Retroactive 1

Canyon

Factum 11

Rubus

Wednesday, March 25, 2015

EXPLORE AND DISCOVER

What can you discover about ceramics when you explore new ideas and concepts?  


This project will require you to try something new on a small scale.  Your project will be no bigger than 10 inches or as small as you like.  If you are in Advanced Ceramics you have taken this course for over a semester so at this point you have tried most “traditional” methods of construction and glazing.  There is SO MUCH more out there!  So search the internet, especially sites like Pinterest to find something that you think would be interesting to try.  

You will be required to:
  • ·      Try a new method of construction or glazing
  • ·         Create a sketch of what you are doing labeled with the Elements and Principles of Design you are exploring
  • ·         Demonstrate the technique used to the class
  • ·         Complete a self-reflection at the end of construction and glazing



All of these ceramic pieces have something unique about the glazes.  Have you ever added glass to a glaze?  How would you do that?  What kinds of glass can you fire in the kiln?  What about adding multiple layers of texture and glazes?  Have you ever used slip to add a different color then drawn a design taking away the slip?  








Hone your Drawing Skills!

Advanced Drawing and Painting

Drawing a crushed can is a challenging task.  There will be complicated creases and folds to understand. The material (metal) reflects  light more than other objects creating many value changes.  After you find the can you would like to draw, crush it. Make it flat enough the you can keep it in your sketchbook or close by so when you have the time you can look at it. View the video below to help you see steps someone else took to complete the drawing.  This drawing will be due on 11/1.

Crushed-Can Drawing Video


Drawing from Columbus North High School Blog

What will make this drawing successful is getting everything in proportion, portraying the correct value changes, and paying close attention to detail.  So begin with observing the can.  What shape does it make now that it is crushed?  Draw that first, then slowly start to build up value changes. Try to have similar lighting when you draw the can. Most lights in rooms are directly above, but if there is a large window it may effect the highlights and shadows, if you begin with a contour drawing you can wait until you have a large chunk of time time to do the surface.  I am looking forward to seeing the final drawings. 

Thursday, March 19, 2015

Advanced Drawing and Painting




"Each of these luminous and mysterious images of trees against sky, field, and river evoke a subtle variation of light and atmosphere. The arrangement of the trees - whether standing in solitude or in pairs or in large groupings seem at once inevitable and yet surprising, formal yet accidental. All of these paintings are comprised from memory, imagination and thumbnail sketches from my beautiful basement studio in my home in Connecticut. I work on wood board, paper and canvas using several layers of gesso before priming the surface with cadmium red base, a quick sketch using charcoal is used to lay out the design then the paint is applied. I work in layers using thinned down oil color, building on these layers with glazing techniques the colors are adjusted and brought up to completion before final coats of varnish are applied. Light has come to play an important part, and when I look back over this body of work, I feel it speaks about spiritual places, places that contain a quiet inner light, radiating an ethereal whisper, the places we see every day."
- William McCarthy



Your next assignment is to create an acrylic landscape that experiments with the layering of color to create a luminous atmosphere.   William McCarthy takes photographs and draws thumbnail sketches of landscapes that have an appealing composition or beautiful lighting.  He then goes back to the studio and creates a landscape that may or may not be representational.  Some artists would prefer only to paint outside looking at the natural world and how the sun affects it, there are many ways to create a landscape or seascape. You can be inspired by a sunset, but not want to duplicate it.  There is no right or wrong way to approach drawing a natural setting it would be ideal to pause the perfect sunset so you can paint what you are seeing, but you can't.  
View Assignment HERE





Friday, March 13, 2015

On the Pulse of the Morning


Maya Angelou wrote this poem many years ago for President Clinton's inaugural celebration.  Illustrators take on the challenge of finding images to represent a poem, short story, or magazine article.  Read this poem and watch Maya Angelou recite it.  Your creative task will be to do a drawing that could accompany this poem.   You may want to think of symbols to represent the poem, you may wan to be literal, or just try to capture the essence of the poem.  You could also try to capture a specific moment in the piece.





Monday, March 9, 2015

STREET ART

Advanced Drawing and Painting


Art expresses the human experience.  It tells a story about us. Check out these creative street artists  and choose one that expresses something you can relate to. Critique one of the murals by describing, analyzing, Interpreting, and Evaluating it.  This should be done in your sketchbook.  I really love the one above because it reminds me of being a child. I love the monumental size of the hands-someone might think, just for a second that someone is casting their shadow on the wall.  An unexpected surprise! 

Street Art Utopia Gallery




Tuesday, February 24, 2015

Picasso!

Advanced Drawing and Painting


We will be looking at works of art by Pablo Picasso in the next couple of weeks.  I first fell in love with the work of Picasso when I was in Barcelona and visited the Picasso Museum.  Up until then I hadn't realized that as a teenager he was painting stunning realistic oil paintings, rendering fabric like Da Vinci.  I always thought of Cubism when I thought of Picasso, not realism. My limited exposure to Picasso didn't make me feel like he was an artist that I needed to discover more about...was I wrong.  His work was constantly evolving...his critics and the world loved him for that.

At the age of 76 Picasso said, "Everything I have done is just the first step on a long path. It is only a preliminary process, which must be developed much later on.  My works must therefore be considered each in relation to the others, always taking into account what I have done and what I am going to do."

Picasso Inspired Portrait



Advanced Drawing and Painting

Now that we have studied the art work created by  Picasso in class and discussed the amazing evolution of his art, it is time to create a work of art based on the portraits he painted during and after the birth of cubism.  Your portrait should somehow combine 3 views of a face.  How do you do this?  Work it out in your sketchbook.  Overlap different views of a face you have already drawn or someone you want to draw.  Combine the faces by connecting them with lines, omitting some features, emphasizing others...experiment.
Picasso painted hundreds and hundreds of original creative portraits of people.  Some were realistic, expressionistic, cubist...etc.   Even though you are using Picasso as inspiration your portrait will be an original because you will put your twist on it.

Color:  Choose an analogous or monochromatic color scheme for the portrait  then decide if you want the background to stay within that color scheme or clash with it.  

Movement: Create movement within the piece by placing like colors in different areas of the artwork or by drawing lines that connect the faces or areas of the artwork. 

Emphasis:  Where is the focal Point? Is there an place that you want the viewer to go to in your piece?  How can you lead them there? Maybe with color or placement of shapes and lines. 

Balance:  When deciding your composition weight the areas evenly.  Notice below how negative and positive space are balanced. 




By Jane B, 2012






Clare H, 2012
Clare H, 2012



Brooke D, 2011

Josephine F, 2011





Picasso's sketches of James Sabartes.

Final painting, notice the references to the details in the sketch.

In this painting Picasso is starting to combine views of features.